MUSEOEUROPE 2021 / ICOM EUROPE 2021
LIVING IN EUROPE
Be part of our cultural heritage marathon on Thursday, October 14 and on Friday, October 15.
The dates for our official meeting and symposium / conference, still under the modality of webinar, is getting closer and closer, so it is about time. All interested are welcome to assist and participate in debates.
To follow the symposium please use the web links which are on the attachment:
For Thursday, October 14: https://youtu.be/gNenPeembH0
For Friday, October 15: https://youtu.be/ea-ovqCjcK8
To participate in debates, please use this link:: https://us02web.zoom.us/j/2423853755?pwd=VG1YaG5HdUhXY28yWUQ0bmg2aHM4Zz09
FULL PROGRAM HERE: BOOKLET_Museoeurope_Icom Europe2
EUROPEAN SEMINAR 2021
Europe’s “Big Museums” and Covid – the biggest museums talk about the impact: present and future
March, 30, 13h00 (GTM)
Free access (up to the limit of the web-room) at:
Obs. Please do check this address closer to the webinar
As obligatory this year, the annual spring seminar of ICOM Europe will take place under the modality of a webinar, focusing in one of the hottest topic in European museums, a topic where trends already in development intersect in the most dramatic way with the current pandemic crisis. Putted in simple terms: what happened, and most of all, what will presumably happen in the future to Europe’s biggest museums, which are also among the biggest in the world, assuming here “biggest” as synonymous of most visited.
10 speakers from the 2019 top 20 of the most visited European museums will address these issues, developing preferentially perspectives for the future, by facing and not avoiding “sensible questions”.
Will the pandemic crisis originate consequences in “being a big museum”? Will these museums, especially the ones that in recent years took the new market-oriented directions, “turn back to basics” again, namely to consider their mission as essentially to promote citizenship? Focus on mass tourism will diminish? Temporary and travelling blockbuster exhibitions will reduce and, in cases where it happened the opposite, will permanent or fundamental galleries return to their traditional centrality and maybe be reconfigured? In which senses? How will digital remote offer articulate with in loco visiting? And what about management and funding: will public, state dependent models be relaunched?